I've been a bit quiet around here lately, as you may have noticed. I'd like to say that I'm off having summer fun, but it's more like I've been hiding out from the HEAT. July is hitting me full force here in ol' Mississippi. I'm catching myself saying things like, "Lord, have mercy," and "It's a scorcher, y'all."
It's a little frightening, I know.
But I thought I'd come out of air-conditioned hiding for a moment to tell you about a cool event in Birmingham this October: the Southern Breeze chapter of SCBWI is having their annual fall conference (Writing and Illustrating for Kids) October 19-20.
And I'll be on the faculty with a workshop on YA and MG mysteries. It'll be fun, so I hope you'll consider coming to Birmingham. I know, it's hot in Alabama too, but I hear it's lovely in October...
Get the scoop on the Southern Breeze Writing and Illustrating for Kids conference here.
News from middle-grade mystery author Fleur Bradley. Also, book reviews and cat pictures...
Showing posts with label Kidlit. Show all posts
Showing posts with label Kidlit. Show all posts
Thursday, July 26, 2012
Wednesday, May 2, 2012
How To Find The Right Literary Agent--A Quick Guide
I have a YA/MG/(fill in the blank) manuscript. Who's your agent?
I get this question a lot now, and the answer is more difficult than you'd think. Not because my agent is top-secret (he's Stephen Barbara at Foundry, and yes, he's awesome), but because finding an agent should be more involved than asking for a name. And I didn't always know that either, so I thought I would give you the five-minute answer here.
How you should select your agent:
1. Does (s) he have the same vision for your manuscript (and career) as you do?
This seems like an easy one, and "I don't care, as long as (s)he sells it!" is not the right answer. You'll be doing edits, changing plot lines, characters--your agent will also be your editorial adviser. Make sure YOU know what you want your work-in-progress--and your career as a writer--to be.
2. Do you communicate well with each other?
This is a big one, and I didn't get that until I worked with some people who just didn't communicate like I do. I like straight answers, directness, specificity. Just tell me what stinks. Some people like an agent who talks in broad terms, maybe you're looking for lots of small talk or weekly updates. Think about all this before you sign with an agent. Ask questions. Talk a while, and ask yourself if you're both on the same page.
3. Has (s)he sold manuscripts in your genre?
You need an agent who has the connections to editors, and having sold manuscripts is the real test here. If you go with a brand-spankin' new agent, make sure they're with an agency that has those connections. See the resources below on how to get this information.
Ask your prospective agent where (s)he thinks your manuscript might fit (publishing house, editor). Better yet, do your own homework, and know who publishes what in your genre.
4. What agency is the agent with?
You want an agent who has access to other agents, to sell foreign rights, movie rights, etc. If the agent is a solo op, ask how (s)he handles this.
These are just a few questions I would ask. Think of your own, and add them to the list. You'll be working closely with your agent, so make sure (s)he is the right agent for you.
Here are some resources online, so you can research stuff:
Publishers Marketplace: Agents get to design their own page here, so you know you're getting the info about submitting, etc. straight from them. You can subscribe to get access to Publishers Marketplace's deals database (see #3 above).
Agentquery: Great for a quick database, but make sure you check all info against the agent's website.
Preditors and Editors: To make sure your agent didn't sell swamp land in Florida last week. Simply check the name against their A-to-Z database.
Jacketflap: A hub for kidlit writers, editors and agents. Vet any agent name against the sources above, because remember: anyone can call themselves an agent.
AAR: Association of Authors' Representatives--a regulating organization that's all about protecting your rights. Extra points if your agent or their agency belongs to AAR, because that means they'll adhere to their canon of ethics. Belonging to AAR comes with a price tag, though, so I wouldn't rule out an agent based on their AAR membership alone.
Google: The Google is your friend, people. You can find agent interviews, authors gushing about their agent, authors moaning about their horrible agent and how they were dropped--oh, and you would've found the name of my agent, too. Use search engines to find the books your prospective agents has sold, so you can reference them in your query letter and sound smart. Use the internet, y'all. It's the lazy person's library.
That's it, in a nutshell.
Anyone have resources or advice to share?
I get this question a lot now, and the answer is more difficult than you'd think. Not because my agent is top-secret (he's Stephen Barbara at Foundry, and yes, he's awesome), but because finding an agent should be more involved than asking for a name. And I didn't always know that either, so I thought I would give you the five-minute answer here.
How you should select your agent:
1. Does (s) he have the same vision for your manuscript (and career) as you do?
This seems like an easy one, and "I don't care, as long as (s)he sells it!" is not the right answer. You'll be doing edits, changing plot lines, characters--your agent will also be your editorial adviser. Make sure YOU know what you want your work-in-progress--and your career as a writer--to be.
2. Do you communicate well with each other?
This is a big one, and I didn't get that until I worked with some people who just didn't communicate like I do. I like straight answers, directness, specificity. Just tell me what stinks. Some people like an agent who talks in broad terms, maybe you're looking for lots of small talk or weekly updates. Think about all this before you sign with an agent. Ask questions. Talk a while, and ask yourself if you're both on the same page.
3. Has (s)he sold manuscripts in your genre?
You need an agent who has the connections to editors, and having sold manuscripts is the real test here. If you go with a brand-spankin' new agent, make sure they're with an agency that has those connections. See the resources below on how to get this information.
Ask your prospective agent where (s)he thinks your manuscript might fit (publishing house, editor). Better yet, do your own homework, and know who publishes what in your genre.
4. What agency is the agent with?
You want an agent who has access to other agents, to sell foreign rights, movie rights, etc. If the agent is a solo op, ask how (s)he handles this.
These are just a few questions I would ask. Think of your own, and add them to the list. You'll be working closely with your agent, so make sure (s)he is the right agent for you.
Here are some resources online, so you can research stuff:
Publishers Marketplace: Agents get to design their own page here, so you know you're getting the info about submitting, etc. straight from them. You can subscribe to get access to Publishers Marketplace's deals database (see #3 above).
Agentquery: Great for a quick database, but make sure you check all info against the agent's website.
Preditors and Editors: To make sure your agent didn't sell swamp land in Florida last week. Simply check the name against their A-to-Z database.
Jacketflap: A hub for kidlit writers, editors and agents. Vet any agent name against the sources above, because remember: anyone can call themselves an agent.
AAR: Association of Authors' Representatives--a regulating organization that's all about protecting your rights. Extra points if your agent or their agency belongs to AAR, because that means they'll adhere to their canon of ethics. Belonging to AAR comes with a price tag, though, so I wouldn't rule out an agent based on their AAR membership alone.
Google: The Google is your friend, people. You can find agent interviews, authors gushing about their agent, authors moaning about their horrible agent and how they were dropped--oh, and you would've found the name of my agent, too. Use search engines to find the books your prospective agents has sold, so you can reference them in your query letter and sound smart. Use the internet, y'all. It's the lazy person's library.
That's it, in a nutshell.
Anyone have resources or advice to share?
Friday, October 2, 2009
Links
For the latest and greatest in all things YA (plus some detours), here are your Friday links:
People unfamiliar with YA often ask me what the deal is with these teen books, and why there’s even a whole section for teens now. Note that most of these people are adults… I usually encourage them to read some of my YA favorites, but here’s a good (oldy but goody) Writer’s Digest link about the genre, and what gives.
In honor of banned books week, read one of these children’s books. I mean, how can you not like Captain Underpants?
Stolen from the Publishers Marketplace news page: Sourcebooks starts a new YA imprint called Fire with books out in Spring 2010; read all about it here.
At FiveAwesomeYAFans (they are pretty awesome), Catherine Ryan Hyde has been blogging the month of September away, some about her book Diary of a Witness, which is on my (dangerously toppling) to-read pile. If you sign up at this group, come be my friend? I’m all lonesome.
Meredith at YPulse interviews author Libba Bray of Going Bovine—not a mystery, but still sounds like an interesting book. Ms. Bray is also part of a chat this month over at readergirlz.
For you children’s writers who want feedback on your work: agent Mary Kole at Andrea Brown will take your query letter in this contest. The winner gets a critique of the first 30 pages of their manuscript—sounds like a sweet deal.
Live in the Colorado Springs area? Check out the Authorfest of the Rockies this Friday and Saturday at the Cliff House in Manitou Springs.
And if you’re a writer, editor, or someone else in publishing, and live in New York, consider this charity organization: Girls Write Now. It sounds like a really cool way to give back, and who can’t use a little good karma, right?
People unfamiliar with YA often ask me what the deal is with these teen books, and why there’s even a whole section for teens now. Note that most of these people are adults… I usually encourage them to read some of my YA favorites, but here’s a good (oldy but goody) Writer’s Digest link about the genre, and what gives.
In honor of banned books week, read one of these children’s books. I mean, how can you not like Captain Underpants?
Stolen from the Publishers Marketplace news page: Sourcebooks starts a new YA imprint called Fire with books out in Spring 2010; read all about it here.
At FiveAwesomeYAFans (they are pretty awesome), Catherine Ryan Hyde has been blogging the month of September away, some about her book Diary of a Witness, which is on my (dangerously toppling) to-read pile. If you sign up at this group, come be my friend? I’m all lonesome.
Meredith at YPulse interviews author Libba Bray of Going Bovine—not a mystery, but still sounds like an interesting book. Ms. Bray is also part of a chat this month over at readergirlz.
For you children’s writers who want feedback on your work: agent Mary Kole at Andrea Brown will take your query letter in this contest. The winner gets a critique of the first 30 pages of their manuscript—sounds like a sweet deal.
Live in the Colorado Springs area? Check out the Authorfest of the Rockies this Friday and Saturday at the Cliff House in Manitou Springs.
And if you’re a writer, editor, or someone else in publishing, and live in New York, consider this charity organization: Girls Write Now. It sounds like a really cool way to give back, and who can’t use a little good karma, right?
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